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Didn't know it was possible to have an Apple announcement more anticlimactic than the iPod Hi-Fi announcement.
#YouMightBeATeapot if you are short and stout, you have a handle and a spout, and get all steamed up and shout.
@fusion If that were true, Apple could do some interesting TV ads for Fusion.
"Hi, I'm a Fusion ad"
"and I'm a pop up"
etc...
Here are some canons I wrote: http://sheridanhaskell.wordpress.com/2013/03/13/counterpoint-exercises-in-mixed-values-and-canon/ …
These are some modal counterpoint exercises in motivic repetition I completed this week: http://sheridanhaskell.wordpress.com/2013/01/24/two-part-counterpoint-studies-in-motivic-repetition/ …
Me performing a movement of one of Handel's organ concertos https://t.co/0XBKf6E4
Made a few minor corrections to my time-signature/tempo document. http://t.co/ot8Ehili
I completed my little document of baroque time-signature descriptions. Added 18th century metronomic data. http://t.co/o46aiaPf
Dream of mine come true. One of Handel's organ concertos performed on harpsichord: http://t.co/QEcEfXTN
This is me yesterday playing a chaconne by Pachelbel for easter: http://t.co/6GrhSgCk
Is there a reason why Bach's cello suites aren't played with notes inegale? I've always been curious how that might sound.
I'm collecting all the baroque era descriptions of time signatures I can find here. 13 pages. Might find it handy: http://t.co/xA04LYQX
If someone built this instrument, it would make the most viewed YouTube video in no time: http://t.co/o5FcmBYk
I didn't know it was possible to make Musica Antiqua Koln sound slow O_O http://t.co/ZZmiHB76
This article explains how continuous vibrato playing was not a universal performance practice until the 1930s or so: http://t.co/AYy1CzNo
Can't read this at the moment but from the abstract, I'm guessing one of the "two sources" is the data from L'Affilard. http://t.co/SIxykW9o
I shared this last week, but this recording of Bach's 3rd overture is led by William Malloch at the "fast" tempo: http://t.co/p5EsoCED
This more recent article by William Malloch argues for the same tempo based on different evidence: http://t.co/UWEmRNb9
This performance of the Hallelujah chorus is played at the same tempo that the Bute barrel organ may have played it at: http://t.co/BSjXXNzc
Hello, I'm an admirer of Historically Informed Performance and am currently studying how to compose and improvise music in the baroque style.